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Pauline Kael: The woman who declared 2001 and Star Wars as "unimaginative movies".  At age 80, retired (fortunately), she's made quite a mark.  A negative one, that is... Many consider her to have revolutionized the way that films are criticized, and responsible for how critics write nowadays (in my opinion, that is enough to hang her).  What I can say of her is that at least she was in many senses a smart, well-educated woman, who would write what started out as interesting theories of cinema that fell flat once she attempted to develop them.  She just revelled in being another film historian and in attempting to take a stand against art-house filmmakers, while taking her own "I'm a film critic, I'm an artist" pose.  I do applaud some of her attacks on some of the pretentious snobs making films out there.  But the problem is, she labels too many interesting films as pretentious trash (or "films for people who like to suffer"), or basically frowns upon most attempts to do anything slightly expermintal, bizarre, or surreal.  She also loves to belittle the work of directors, reducing any vision as just basic luck or wisdom in hiring a good technical team.  To top it off, she never defined what film was not "trash", as she labeled films as different types of trash (many masterpieces being "trash greatly in command of the medium").

Quite frankly I think that she herself was a pretentious snob who was trying to be notorious by writing bad philosophical arguments regarding film criticism, and then attempting to examine film history with it, resulting in an incoherent mess.  And her reviews per se were waaay too simplistic and unrevealing.

Then again, what else did you expect from a critic who worked at The New Yorker for 30 years?

P.M.-